ssa & ssaa secular

For a perusal copy of any score please send an email to the composer and he is more than happy to send you one.

After the War
SSA and piano, Cypress Choral Music CP 1326
Sarah Slean sang this song in the film “Passchendaele”.  Paul Gross, from Calgary-Alberta, wrote, co-produced and starred in the film which focuses on the experiences of a Canadian soldier at the Third Battle of Ypres.  Mark has transformed the song into a wonderful choral composition which would be well suited to Remembrance Day events or any concert concerning War and Peace.  Small ensemble version available from the publisher.  Watch

April (I Love You)
SSA and piano  Alliance Music Publications AMP 0998
April (I Love You) is a setting of a poem originally entitled I love you by one of America’s most celebrated authors, Sara Teasdale (1884–1933). Born in St Louis, this accomplished and much admired poet won the Columbia Poetry Prize, (later renamed the Pulitzer Prize), as well as the annual prize from the Poetry Society of America for her 1917 collection Love Songs.   This is a beautifully evocative setting full of romance.  See the score  

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Auld lang syne 
SSA, piano and flute, Boosey & Hawkes HL 48023947.
Often translated as “times gone by” or “days long ago”, this is a song of friendship and goodwill. Although it is most often sung on New Years Eve, it is equally appropriate at times of farewell such as graduations. This beautiful arrangement uses the original Scottish air. Additional small instrumental ensemble version available from the composer. See Score   

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Canadian Boatsong
SSA and piano, Gordon V. Thompson VG-369 (available from Alfred) Irish poet Thomas Moore wrote the text for Canadian Boatsong as he traveled along the St. Lawrence River in 1842. The tune is a lilting French folksong. The descriptive piano writing portrays tolling bells, the rapids, and the peacefulness of the evening along the St. Lawrence. Especially good for teens, and women’s voices. Moderately easy. 

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Citadel Hill
SSA and piano Cypress Choral Music CP 1335
Mark is a master of writing approachable choral music. After all, he directs his own choirs every week and adjudicates choral festivals all over the country. So his voice leading is intuitive, making the learning process a breeze for the director and a joy for the singers. This is another of his charming folksong arrangements.  Watch  

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The Cliffs of Dooneen
SSA and piano, Cypress Choral Music CP 1165
The Cliffs of Dooneen is a popular and haunting Irish folk song that extols the rugged beauty of the Atlantic coast. The final verse expresses longing for the homeland–a sentiment shared by many Irish immigrants during the nineteenth century when they were forced to leave for North America because of the Great Famine. This arrangement was written for Sister Rita Clare and the Cape Breton Chorale for the Celtic Colours Festival in 2008.  The SSA version is dedicated to Ann McIntyre, Conductor of the Edmonton Children’s Choir. Watch       

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Cloths of Heaven SSA and piano, Kelman Hall  06/2062 (Music Plus)
A expressive setting of Yeat’s magnificent poem “Had I the heaven’s embroidered cloths”.  This work, also available in SSA and TTBB, was commissioned by Music Plus and the Lyrical Lines Education Network for the 2007 Waterloo Region High School Choral Festival to be held in Centre in the Square, Kitchener-Waterloo.  Medium difficulty. Wind quintet + piano version available from the composer. Listen to the SATB version in performance by the Cantabile Choirs with guest conductor Bob Chilcott: 

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Give Me Your Stars to Hold
SSA and piano  Santa Barbara Music SBMP
Audiences will leave humming the opening strains of this splendid piece. Abounding in melodic interest, and blessed with an ever-pulsating accompaniment, this setting of the Teasdale poem is destined to be a favorite of singers. See the Score  Watch 

Go, Lassie, Go
SSA and piano, optional flute, oboe, bass, Boosey & Hawkes M-051-475308 Instrumental parts: M-051-105106 This Celtic folk song is well known in Scotland and Ireland. This is animated rendition that sets the audiences toes ‘a-tappin’ and would make a perfect opening or conclusion to a concert. Can be combined with the SATB version of the work. Moderately easy. 

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innguqtuq  SSA body percussion and drum, Boosey & Hawkes 979-0-051-48351-8
inngituq (She Sings) is a soundscape that honors the culture of the Inuit people of the Arctic. Musical references to traditional “throat-singing” and “ay-ya” songs are found in the music. The body percussion – stomping, clapping, chest pounding – and drum will add to the authentic experience this piece brings to singers and audience. See score and listen

Lake Huron Autumn 
SSA and percussion (Orff), Boosey & Hawkes M051-48019774
An evocative soundscape on poetry by William Wilfred Campbell is appropriate for children, teens and adults alike. The inventive work captures the sounds of the autumn along the shores of the Great Lakes: rustling bulrushes, leaves, flying geese and ducks, the cold wind.  Medium. See the score       

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The Leaving of Liverpool
Celtic folksong, SSA and piano, Boosey & Hawkes, M051-48177-4
Setting this Celtic folk song in a slow and majestic style, Mark underscores the anguish and uncertainty of the lovers who must say goodbye. The final outburst is full of heartbreak and will be a passionate and emotional moment for your choir. Duration: ca 3:50 See the score      

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Les étoiles
SSA, and piano, Alliance Music AMP 0687
Full of French lyricism and romantic harmonies, Les étoiles was commissioned by the Oriana Women’s Choir of Toronto under the direction of William Brown. Recorded by the Oriana Women’s Chorus on the CD “Child with the Starry Crayon”.  Medium. See the score Watch – GHS Concert Choir, Jennifer Jarrett, conductor  

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My Heart Soars
S(S)A and piano, Boosey & Hawkes, CME: Intermediate series. HL 48023055
Composer Mark Sirett set the beautiful and evocative poem “My Heart Soars” of Chief Dan George for a tribute concert to aboriginal cultures of the world. The concert was recognized by the Association of Canadian Choral Communities as Canada’s Outstanding Choral Event of 2009-10. Written for three part women’s or children’s voices and piano, the work captures the spiritual nature of the text beautifully. Duration: ca. 4 minutes 
See the score  

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  Watch

The Pierless Bridge
SSA and piano CP 1332; or TTBB and piano CP 1333; or SATB CP 1294 , Cypress Choral Music
Emily Dickinson explores the question of faith is this poignant poem and Mark gives it the perfect gentle setting.  Listen

Reel à bouche
SSA, piano and clarinet (or accordion), optional double bass, Alliance Music AMP 0714
In French Acadian tradition, a Reel à bouche is a form of ‘mouth music’ with nonsense syllables and extra vocal effects.  This rhythmic dance has a French cabaret feeling that is full of fun for performers and audience alike.  It was commissioned by the Amabile Youth Singers of London ON. See the score Watch – Henry Leck conduct the Coastal Sound Festival Chorus  

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Shanti (Peace)
SSA, drone, finger cymbals, gong, Boosey and Hawkes M-051-47984-9 This soundscape is inspired by the mysticism of ancient Eastern religions, with a text and chant derived from the Buddhist mantra: “Peace. May all beings be well and happy.” The work evokes serenity, warmth and love.  The drone was original performed by a singing bowl but a cello, keyboard or low organ pedal could easily be used. See the score Watch – Lewis and Clark Women’s Choir    

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Song of the Angels (Gloria)
SSAA, handbells, percussion, Boosey & Hawkes, CME In High Voice, M-051-47492-9 Although the Gloria is often associated with Christmas the message of peace is universal and appropriate for many different settings.   This is a colourful soundscape uses accessible experimental effects often supported by the tuned and untuned percussion instruments. Gregorian chant inspires the opening and concluding melodies. The work received acclaim at recent international festivals. Commissioned by La Jeunesse Northumberland Girls’ Choir. See the score Watch         

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The Spinning Wheel
SSA and piano, ECS Publishing ECS 6416 “Merrily, cheerily, noiselessly whirring”–this delightful Irish folksong tells the story of a young maiden spinning under the supervision of her grandmother. The sounds heard at the window are that of the young girl’s lover come to steal a kiss without her grandmother knowing. An inventive piano part highlights the humour of the story. Medium easy. See the score  

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Treat the Earth Well 
SSA and piano, Boosey & Hawkes, Building Bridges Series, HL 48023877
The words for this are an ancient prayer from the Southwestern United States. They speak of the earth as a sacred and holy place that is worthy of our love and respect. The Prayer challenges us, as temporary residents of the land, to be diligent stewards on behalf of our children. And as we have come to expect, Mark’s choral writing is intricate and rewarding.
See score

Un canadian errant
SSA and piano, Kelman Hall 04/20MMP 29  (Music Plus) One of Canada’s best loved folk songs, an emotional and heartrending story of a young rebel who is banished from his homeland.  This poignant and dramatic setting that has often been used for Canada Day Unisong Festival at the National Arts Centre in Ottawa. Easy.  Full orchestral version available from the composer. Watch  

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Watane
SSA, percussion, Boosey & Hawkes M051-473434 (may also appear in catalogues as ‘Wantane’)
Watane is an original work inspired by aboriginal culture. Non-traditional vocal sounds, fragments of Iroquois chants, bird calls, and varied percussion evoke the atmosphere of the Eastern Woodlands. The work has been performed at ACDA national and regional conventions and most recently at the in World Symposium of Choral Music in Patagonia. This SSAA score is easily adapted for various voice combinations. Watch – Calliope Women’s Chorus, France Watch – Toronto Children’s Chorus, Elise Bradley, Director, 9th World Symposium of Choral Music, Patagonia 

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Where have all the flowers gone?
Words and music by Peter Seeger, SSA, piano, optional, violin, flute, oboe, double bass, Boosey & Hawkes, M 51-476299 Full score: M-051-10515-1
A beautiful, expressive setting of this favorite song that longs for peace. Each verse varies in voicing. The setting is inventive and deeply moving.  Since 911, especially suitable for concerts of remembrance and peace commemorating the 100th anniversary of WWI. String orchestra version available from the composer. Medium easy. See the score        Watch     

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ssa & ssaa christmas & sacred

Auld lang syne 
SSA, piano and flute, Boosey & Hawkes HL 48023947.
Often translated as “times gone by” or “days long ago”, this is a song of friendship and goodwill. Although it is most often sung on New Years Eve, it is equally appropriate at times of farewell such as graduations. This beautiful arrangement uses the original Scottish air. Additional small instrumental ensemble version available from the composer. 
See Score   

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A Child is Born
SSA, percussion, Boosey & Hawkes M-051-47671-8
This rewarding work is evocative of the medieval era in keeping with the mystical text by Hildegard of Bingen. The accompaniment includes hand drum, finger cymbals or triangle, and tambourine. The work was commissioned by La Jeunesse, Cobourg in honour of retiring director, Deirdre Morrell. Medium
Watch – Amabile Youth Singers, London ON      

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Blake’s Cradle Song
SSA, piano, flute, oboe, Gordon V. Thompson VG-367  (available from Alfred)
Lush harmonies and elegant flowing lines bring this traditional Christmas text by William Blake to life. The setting was written in honour of Jean Ashworth Bartle and Ruth Watson Henderson and the Toronto Children’s Chorus.    

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D’où viens-tu, bergère?
SSA and piano, Boosey & Hawkes M051-47818-7
A charming setting of one of Canada’s favourite carols suitable for children’s and women’s voices.  The carol is in the form of a dialogue between a young shepherdess who has returned from the manager and local villagers.  A great selection for a carol concert or service.
See the score   

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Every Child Has Known God
SSA and piano, Alliance Music  AMP0815-021
Every Child Has Known God is a setting of a fascinating, spiritual text by Hafiz and can be considered either sacred or secular.  The work was commissioned by Les Chanteuses of Edmonton, under the direction of Heather Bedford.  The beginning lyrical writing moves to a spirited conclusion ‘Come dance with me’.  Watch  – Les Chanteuses of Edmonton   
See the score
        

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Hodie, Alleluia
SSA and piano Boosey & Hawkes HL 48023064
This is a contemporary setting of the traditional Vespers antiphon for Christmas Eve, “Hodie Christus natus est.” The African and jazz influences found in this score were inspired by the composer’s experiences in Ghana. Written for SSA choir, piano and Djembe(the Djembe is improvised and no part is included), this setting captures the multicultural spirit of the song. Two instrumentations available from the composer:  a) flute, oboe, violin, double bass + piano b)  string quartet + piano See the score  Listen

little tree
SSA, piano, Hinshaw Music, HMC 2039
Commissioned by the Kanata Children’s Chorus, Barbara Page-Puppa, director, this is an rewarding Christmas work for children or women based on one of e. e. cummings’ lesser known but beautiful texts. The work concludes with a joyous peal of “Noel, noel.”
See the score

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Song of the Angels (Gloria)
SSAA, handbells, percussion, Boosey & Hawkes M-051-47492-9
Although the Gloria is often associated with Christmas the message of peace is universal and appropriate for many different settings.   This is a colourful soundscape uses accessible experimental effects often supported by the tuned and untuned percussion instruments. Gregorian chant inspires the opening and concluding melodies. The work received acclaim at recent international festivals. Commissioned by La Jeunesse Northumberland Girls’ Choir
See the score
Watch  

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The Stars Point The Way
SSA and piano Boosey & Hawkes #M051480944 (CME Holiday Lights) HL.48022975
“The Stars Point The Way” was commissioned by the Cantilon Choirs of Edmonton Alberta and was awarded “Outstanding Choral Composition for 2010” by the Association of Canadian Choral Communities. This Christmas carol is sub-titled “Cosmic Bethlehem” and is a beautiful mix of traditional metaphors and contemporary references by Canadian poet Wendy Jean Maclean that will engage your singers and audiences and make the miracle relevant and personal. Duration: 3 minutes 35 seconds. Additional instrumentations available from the composer a) string quartet + piano b) flute, oboe, violin, double bass + piano See the score  Watch    

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Taladh Chriosda
SSA, piano and violin, Boosey and Hawkes M051-47874-3
This beautiful Gaelic carol comes from the Scottish Isles. The tune, which is in the Mixolydian mode, has a medieval quality. The gently swaying rhythm captures the essence of Mary gently rocking the Baby in her arms. This song could also be used as a beautiful candle-lit processional.  Small instrumental ensemble version available from the composer.
See the score
Watch  
 Listen to the Cantabile Choirs in this extended version of this arrangement: 

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Thou Shalt Know Him When He Comes
SSAA, Augsburg/Fortress Press 0800675304
This Advent and Christmas motet was originally SATB and has become of one Augsburg’s best-selling octavos. An expressive, soaring melody is complimented by rich sonorities. This work has often been recorded by many Canadian choirs and heard on CBC. Moderate
See the score  Listen

Tyrley, tyrlow
SSA, piano and C instrument, Hinshaw HMC 1754
This work was written for the Toronto Children’s Chorus, Jean Ashworth Bartle, director and premiered at Roy Thomson Hall. The text is a traditional Irish poem from the Renaissance; the writing is lyrical, modal, and harmonically inventive. The setting crescendos to an impassioned climax, and fades poignantly wistfully in the final strains of the recorder. 
See the score
     

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Christmas & sacred coming soon
Missa brevis for a Young Girl, SSA a cappella, Boosey and Hawkes

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